Anyone who knows the history of hardcore
will know the name of Leicester's DJ SS. Whether behind record
decks or mixing desk, this original breakbeat pioneer has
made an immense contribution to the development of the jungle
sound. He released the first of a string of classic singles
on his co-owned label, Formation, in 1990, culminating with
the seminal "Breakbeat Pressure" EP in 1993. Then,
unexpectedly, came an absence which lasted nearly two years.
"The reason I went quiet was 'cos that was when the ragga
came in strong and I didn't want to do that", explains
SS. "We were on a more experimental tip and wanted to
do something different." Although he's mostly known for
his hard core and jungle releases, SS also runs house, soul
and hip-hop labels (100%, Ruff Justice, and F Project respectively)
and spent most of his sabbatical from break beats co-producing
material for them.
Not all though. BY the end of 94 he decided the time was
right to return, and he had so many new killer tracks to release
"Roller Convention Parts 1 & 2", two separate
four track EPs. Their impact on the scene measured on the
Richter Scale and we're still feeling the aftershock. DJ SS
releases under many aliases, and in 1995 alone he's released
"95 Rampage" by In Between The Lines, "Hearing
Is Believing" by MA2 and "Lighter" by Sound
Of The Future. With its unmistakable classical sounding piano
intro, "Lighter" is the stand-out release that you
either seem to loathe or love. Judging by the way it rose
from the dance floor, the majority fall into the latter category.
"One of the guys I make house tunes with was just messing
around and playing the piano from "Love Story",
and I though "that sounds interesting", remembers
SS. "So I took it, speeded it up to 170 bpm and made
it into a hardcore tune! It was supposed to be a special for
Grooverider, but he caned it so much that I had so many phone
calls that I had to release it.
"Its not original. It's just so simple that it just
works on the dance floor. What everyone is trying to do is
create original styles - cutting-up breaks, putting in weird
noises and time stretching - but when they're cutting-up the
breaks and changing, swapping and changing, people at a big
rave are waiting and wondering "what's happening next"
and "what's going on here" and that defeats the
object. The object of our music is to make people dance."
He might claim to be unoriginal, but it's obviously important
for SS to be different. While not wanting to change what he
has always done, he also feels it's time for something else
after the long influence ragga has had on jungle. He plans
to experiment more with light, dreamy drum & bass, but
with the "power" to work on the dance floor. Other
projects include selecting and mixing the DJ's Delite compilation
album and "Highly Recommended", an album to be featuring
exclusive, unreleased material with guest artists like Grooverider
and Roni Size.
Does he enjoy being so busy "Sometimes. I do when I'm
doing good things I enjoy, but sometimes when I'm doing remixes
it's boy. I'll just get this out of the way". I still
love doing DJing, meeting people, seeing the scene, you know
what I mean"
Artist's Web Links
Audio Sets
DJ SS @ Raveology Drum & Bass
Awards 2008
DJ SS @ One Nation 2007 1
DJ SS @ One Nation 2007 2
DJ SS @ Telepathy
DJ SS & Stevie Hyper D @ Desire
The Supernova
| UK Old Skool Rave &
Hardcore Compilations :: DJ
SS